Wednesday, 20 January 2010

Anyone moderately familiar with the rigours of composition

Will not need to be told. How he wrote and it seemed good; read it and it seemed vile; corrected and tore up; cut out; put in; was in ecstasy; in despair; had his good nights and his bad mornings; snatched at ideas and lost them; saw his book plain before him and then it vanished; acted his people's parts as he ate; mouthed them as he walked; now cried; now laughed; vacillated between this style and that; now preferred the heroic and pompous; next the plain and simple; now the vales of Tempe; then the fields of Kent or Cornwall; and could not decide whether he was the divinest genius or the greatest fool in the world.

—Orlando, Virginia Woolf, 1928.

4 comments:

estelle said...

You had me at semicolon.

Lorelei V said...

Nobody does it (the semicolon) better!

Clare said...

How to compete with it? Best just to sigh (heavily for several hours) and name a child after it.

Lorelei V said...

Clare, you're absolutely right. You have discovered the best — the only — solution to the problem. And in doing so, inspired me forever with your visionary style.